Nah Right » Deniro Farrar – I Don’t Blame You.
NYC See you in June…what an honor- Top 100 Artists on the Verge…check out these names
NMS ‘Artist On The Verge’ (AOV) project offers emerging artists the opportunity of a lifetime!
The New Music Seminar (NMS) presents the ‘Artist On The Verge’ – Top 100 Chart, the most comprehensive chart for emerging talent from all musical genres. This chart is put together by NMS to promote artists who are already picking up steam in order to help them rise above the noise floor and receive the national recognition that they deserve. In order to qualify, artists must be U.S.-based and not signed to a major or major independent label. See full qualifying details here.
The AOV project is a closed project for nominated artists only (NMS does not take unsolicited artist submissions). These nominations come from the biggest names in the industry like iHeartRadio, SoundExchange, BMI, Pandora, ReverbNation, Spotify, eMusic, Next Big Sound, Musicmetric, SESAC, OurStage, and many more. Unlike other charts that only address social media metrics, AOV researches an Artist’s entire oeuvre: from music quality, to tour history, radio play (online & terrestrial), uniqueness of videos and current press coverage.
‘Artist On The Verge’ is designed to expose the Top 100 selected artists to influential media, tech and music industry executives at the New Music Seminar. Three (3) lucky artists will be selected from the 1000+ nominees to showcase at the New Music Seminar and be critiqued by a panel of industry experts. The grand prize winner from this showcase will be selected by the NMS attendees on Tuesday, June 19th at Webster Hall through live SMS voting and will walk away with over $200,000 in consultations, promotion, marketing and music equipment.
NMS Artist On The Verge Top 100 Chart
Going on TOUR for the first time with the homies Cities Aviv and Lushlife (more TBA)
Dates:
Article published by Shuffle Magazine http://www.shufflemag.com/deniro-farrar-plotting-and-planning/
One February night, as Charlotte rapper Deniro Farrar prepares to open for YMCMB (Young Money & Cash Money Billionaires) artist Tyga during a hometown show at The Fillmore, he’s tweeting in the third-person from his East Charlotte home. He’s worried about having to “talk educated” for a phone interview with Shuffle. “Don’t want people under the impression that Deniro Farrar is or may be stupid,” he wrote.
Deniro, born Qushawan Farrar, was raised in two of Charlotte’s notorious, high-crime communities – Little Rock Apartments and Tuckaseegee – and, as these things often happen, he made it to high school but never past the ninth grade.
That decision wasn’t stupid, just misguided, but in early 2010 he found that he had a knack for rapping and maybe a new music career to go with it. What resulted was Feel This, a 31-track mixtape that found Farrar toying with young-blood themes and song titles such as “Solo Cup Living.” Most of the material was a direct reflection of Farrar’s street life, lacking in morality and consequence. If he expected to make some sort of admirable career out of rapping, he had to grow up, come up with more provocative material, and think big. Bigger than just Charlotte.
He figured this out in less than a year, and with his latest independent release, DESTINY.altered, he calls his growth a “revamping and reincarnation.”
A few years ago, Farrar couldn’t have handled dual-consciousness songs like “Dyingtoseeanotherday” or “No Games” – both songs engage in promotion and condemnation of the rough street life he survived. It’s a conflicted attack, shared by many of his peers in hip-hop’s latest renewal of thug-worship (see: Freddie Gibbs, Schoolboy Q, A$AP Rocky), but unlike Farrar, they offset their toughness with their own distinct weirdness. In Farrar’s case, being weird isn’t necessarily about being an eccentric as much as it is about how many revoltingly perverted and homicidal lines he can cram into one screwy song.
“Acid” is a wonky, circus-tent knocker, corrupted by Farrar’s evil deeds, while the porn tales of “No First Night Sex” are loaded with farce, filth, and fellatio. Elsewhere on DESTINY.altered, producers Storm Watkins, Ryan Hemsworth, and David Heartbreak’s fearsome beats vie for Farrar’s grimiest narratives.
It’s also doubtful that, a few years ago, Farrar could have held his own in the company of guest rappers Emilio Rojas, G-Side, Nacho Picasso, and Rapper Big Pooh, all of whom appear on DESTINY.altered. They’re all big names within small, niche hip-hop circles, and for a guy like Farrar – who has only been rapping for three years – it’s not only helped his skill set, but also taught him to broaden his audience.
Whether he’s joking his way through “Frat Boy Wasted” for an all-white following at a UNC-Chapel Hill fraternity house, or breaking out the grind-time anthem, “Waiting For?” in front of an all-black audience during a performance at his hometown’s annual CIAA basketball tournament weekend, Farrar wants his music to strike a chord with everyone.
“They love me,” Farrar says of the distinctively different crowds. “But, I don’t give a damn who it is. You can be out there blind and in a wheelchair or the richest man in the world. It doesn’t matter. Everyone can identify with struggle.”
For now, Farrar will be busy completing a collaborative EP with Bay Area rapper/producer Shady Blaze. Then, he’ll set out to record a left-field project with the hip-hop/electro duo Flosstradamus that could grant him the nationwide appeal he’s long desired.
“It was never my goal to develop a fan base in Charlotte,” Farrar says. “I know that Charlotte doesn’t support their own. I’m not concerned with being a local celebrity. That’s bullshit because they’re broke too.” This isn’t the tone of a jaded man, but rather, a position taken by one who won’t commit to any sort of Atlas-ian responsibility until he can fully live up to his city’s expectations. Farrar wants to be the great rap ambassador that Charlotte has never really had. He just wants to be smart about it.
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